Monday 25 May 2009

What is that? | O que é aquilo?

Um pequeno filme grego que dispensa comentários (mas serão sempre bem-vindos). Com legendas em português.

Duração/Length: 5:31 min ~ Ano/Year: 2007

What is that? Τι είναι αυτό

A short Greek film by Constantin Pilavous. Captions in English.

More about Constantin Pilavious

Born in Athens, Greece, in 1984. Went to high-school in Brockwood Park School were amongst other subjects also studied film-making. He completed his studies in Athens and now works as a director and producer in films and advertisements.

Filmography:

- The 14th tick (2001)

- The Monkey's Paw (2002)

- What's happening? (2003)

- Kony (2004)

- Dogma#150: Walking (2005)

- theseries.gr (2006 - 2007)

- What is that? (2007)

- Small Pleasures (2008)

Sources: Facebook (info about director), You Tube em português, em inglês.

Saturday 23 May 2009

É tudo verdade, ovni sobrevoa o Rio


Ótimo vídeo no YT da usuária littlezei.
O comentário da mãe dela no fim é sensacional
Outro, muito bom, esse é do TheRogeriorolo, em Copa,
dá pra ver a quantidade de gente na orla

O sobrevôo de um falso ovni (UFO, disco voador) nos céus do Rio em 23/05/2009 é uma obra do artista americano Peter Coffin, especializado em intervenções urbanas. Segundo ele, esta não é uma homenagem à intervenção (inclassificável) de Orson Welles, em 1938, quando ao dramatizar a leitura de "A Guerra dos Mundos", de H.G. Wells, simulou uma invasão alienígena à Terra e levou pânico à população.

Muito pelo contrário, em tempos de web 2.0, o seu interesse é observar a reação das pessoas ["A reação ao disco é mais importante do que a própria obra"] e convidá-las a registrar a passagem do disco. O material (fotos, vídeos) que for enviado para o site http://www.discovoador.art.br/ será catalogado e os melhores registros vão fazer parte de um exposição a ser realizada no Oi Futuro.

O vídeo aqui embaixo mostra como o ovni de Coffin se comportou em Gdansk, na Polônia, em julho de 2008.



Tomo a liberdade de dizer que os cariocas, por sua vez, que assistiram à passagem do falso ovni, parafrasearam Caetano Veloso em seu exílio londrino.

While my eyes, go looking for flyings saucers in the sky.

Curisosidade sobre o projeto
  • Coffin está sendo patrocinado pela fundação polonesa Open Art Projects(http://www.openartprojects.org/) capitaneada por Magda Materna.
  • Tentou realizar o projeto em Nova Iorque, mas não obteve permissão, uma vez que a cidade ainda está abalada com os efeitos do 11 de setembro.
  • Segundo Coffin o Rio é um lugar propício para a passagem do disco, por sua atmosfera positiva. "Aqui existe uma atitude de comunidade. As pessoas são abertas, mais curiosas do que medrosas. Imagino uma grande festa."
  • Ainda Coffin: "Cresci nos anos 1980, durante a Guerra Fria, quando o outro ameaçador, o alien, era identificado como comunista. O óvni fala do que não conhecemos."
  • Entusiasmou-se quando descobriu o livro "Um mito moderno das coisas vistas nos céus", de Carl Jung.

Curiosidades sobre o ovni de Peter Coffin

  • O disco foi construído em alumínio, tem 7 metros de diâmetro e 15 mil luzes de tecnologia LED.
  • Percurso: 190km da Barra até o Flamengo em cerca de 2 horas. (Uma proibição da ANAC alterou este percurso.)
  • O disco pesa 800 quilos e voa preso a um helicóptero por um cabo de aço.

Friday 22 May 2009

As ordens do amor

Álbum de família, Berlim Álbum de família, Berlim

Álbum de família, Chorinchen Álbum de família, Chorinchen

Se algo te assombra, encobre ou reveste, nem que seja com um palito de fósforo, acenda uma luz e um mundo completamente novo e supreendente vai se apresentar. Nada que estava escondido ou obscuro vai se atrever a perdurar. Nada ousará ser muro, apenas porta. Porta e porta e porta. Por onde passam e passarão gerações de libertos, estes sábios que aprenderam a obedecer às ordens do amor.

O amor nunca, nunca falha. Quietinho, aplacado e até injustiçado ele irrompe, represa mal calculada por engenheiros ignóbeis, avaros, mas principalmente ignorantes de que o amor, este, é sempre vencedor.

Em glória, se manifesta. Cada vez mais forte. Cada vez mais transparente e luminoso, indiferente aos pavões misteriosos, muitos, mas que não sabem voar. Foi exatamente para isso atravessamos todo aquele caminho e para trás deixamos uma ponte que um dia fez fronteira com a Romênia. Foi para isso que um e outro ficaram para trás, perderam e acharam, riram e choraram. Foi para que retomássemos, para que continuássemos, bem mais adiante, talvez ainda um pouco trôpegos, mas decerto que mais urgentes de nós mesmos, mais conscientes e gentis e principalmente mais reverentes, respeitosos e cumpridores das ordens do amor.

Avante seguiremos, com passo firme e calmo. Com o coração exausto e sereno, já sem perguntas e as histórias escritas em pedras. Veio o mar. Veio o mar. E a enxurrada não nos levou. O amor venceu. O amor vence. Obrigada a todos (familiares ou não, os seres compassivos, os seres adoráveis, os seres amáveis). Cada coisa está em seu lugar.

=============================================

Bert Hellinger é o "pai" da psicoterapia por ele desenvolvida conhecida como "As Ordens do Amor" ou "Constelações Familiares". Para ele, o amor é o único sentimento básico. Outros sentimentos, como raiva e medo, são secundários, porque derivam da falta de amor.

Não foi por acaso que redescobriu durante o seu trabalho com centenas de sistemas familiares que o reconhecimento do amor que existe no seio das famílias comove as pessoas e muda suas vidas. Porque um amor rompido em gerações anteriores pode causar sofrimentos aos membros posteriores de uma família, o processo de cura exige que os primeiros sejam relembrados.

Enfim, Hellinger é um psicoterapeuta que faz um trabalho inovador, eficaz e bastante interessante. Encontrei um belo texto sobre a sua teoria e prática, talvez um pouco longo para colar aqui. Então aí vai o link, do Portal do Servidor do site do Senado Federal.

Wednesday 20 May 2009

Eu sou uma amadora



E ainda tem gente que diz por aí que a internet é "coisa de amador".

Gostou do vídeo caseiro?

Também acha que a web é de e para todos? Que dividir a web entre profissionais e amadores é retrô? Leiturinhas interessantes:

antonio, pedro, gil, sérgio e erica

Onde estão seus móveis?

Uma mesa é uma mesa é uma mesaOnde estão os seus móveis?

No século passado um turista americano foi à cidade do Cairo, no Egito, com o objetivo de visitar um famoso sábio. O turista ficou surpreso ao ver que o sábio morava num quartinho muito simples e cheio de livros. As únicas peças de mobília se resumiam a uma cama, uma mesa e um banco.

Onde estão os seus móveis? Perguntou o turista.

E o sábio, bem depressa, perguntou também. E onde estão os seus?
- Os meus? Surpreendeu-se o turista.
- Mas estou aqui só de passagem!

- Eu também, concluiu o sábio.
=============================================

E eu, que também sigo cartilhas, respiro fundo e penso, sim, é belo, possível e praticável o conceito oriental observing the observer (observando o observador).

:-)

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Sunday 17 May 2009

Minha terra tem palmeiras

Dentro de mais um minuto estaremos no Galeão @BurgerKing: "One way ticket to Rio not necessary. You'll feel like you´re robbing us" ("Não é necessária uma passagem só de ida para o Rio. Você vai sentir como se estivesse nos roubando")

@WashingtonOlivetto RT: @BurgerKing: "Céu azul, praia e gente feliz. O carioca não pensa em comprar uma passagem só de ida para Londres". ("Blue sky, beaches, happy people. Cariocas are not interested in buying one way tickets to London.")

Câmbio. Desligo.

Imagem: Jornal O Globo
Texto: Diversos, diversos, diversos
Música incidental: Samba do avião, de Antonio Carlos Jobim

Wednesday 13 May 2009

The bare necessities of life

The bare necessities

Look for the bare necessities
The simple bare necessities
Forget about your worries and your strife
I mean the bare necessities
Old Mother Nature's recipes
That brings the bare necessities of life

Wherever I wander, wherever I roam
I couldn't be fonder of my big home
The bees are buzzin' in the tree
To make some honey just for me
When you look under the rocks and plants
And take a glance at the fancy ants
Then maybe try a few

The bare necessities of life will come to you
They'll come to you!

Look for the bare necessities
The simple bare necessities
Forget about your worries and your strife
I mean the bare necessities
That's why a bear can rest at ease
With just the bare necessities of life

Now when you pick a pawpaw
Or a prickly pear
And you prick a raw paw
Next time beware
Don't pick the prickly pear by the paw
When you pick a pear
Try to use the claw
But you don't need to use the claw
When you pick a pear of the big pawpaw
Have I given you a clue ?

The bare necessities of life will come to you
They'll come to you!

So just try and relax, yeah cool it
Fall apart in my backyard
'Cause let me tell you something little britches
If you act like that bee acts, uh uh
You're working too hard

And don't spend your time lookin' around
For something you want that can't be found
When you find out you can live without it
And go along not thinkin' about it
I'll tell you something true
The bare necessities of life will come to you

Lyrics from the Jungle Book, video from You Tube

Tuesday 12 May 2009

Publique, por favor

good news, por que no te callas?Parece que um blog foi "instado" por uma editora a remover o texto abaixo de seus "domínios". Curiosidades sobre o autor dessa beleza proferida em um discurso de formatura lá embaixo*
Enquanto isso, publique-se, por favor.

=============================================

"(If anybody feels like perspiring [cough], I'd advise you to go ahead, because I'm sure going to. In fact I'm gonna [mumbles while pulling up his gown and taking out a handkerchief from his pocket].) Greetings ["parents"?] and congratulations to Kenyon's graduating class of 2005. There are these two young fish swimming along and they happen to meet an older fish swimming the other way, who nods at them and says "Morning, boys. How's the water?"

And the two young fish swim on for a bit, and then eventually one of them looks over at the other and goes "What the hell is water?"This is a standard requirement of US commencement speeches, the deployment of didactic little parable-ish stories. The story ["thing"] turns out to be one of the better, less bullshitty conventions of the genre, but if you're worried that I plan to present myself here as the wise, older fish explaining what water is to you younger fish, please don't be. I am not the wise old fish. The point of the fish story is merely that the most obvious, important realities are often the ones that are hardest to see and talk about. Stated as an English sentence, of course, this is just a banal platitude, but the fact is that in the day to day trenches of adult existence, banal platitudes can have a life or death importance, or so I wish to suggest to you on this dry and lovely morning.

Of course the main requirement of speeches like this is that I'm supposed to talk about your liberal arts education's meaning, to try to explain why the degree you are about to receive has actual human value instead of just a material payoff. So let's talk about the single most pervasive cliché in the commencement speech genre, which is that a liberal arts education is not so much about filling you up with knowledge as it is about quote teaching you how to think. If you're like me as a student, you've never liked hearing this, and you tend to feel a bit insulted by the claim that you needed anybody to teach you how to think, since the fact that you even got admitted to a college this good seems like proof that you already know how to think. But I'm going to posit to you that the liberal arts cliché turns out not to be insulting at all, because the really significant education in thinking that we're supposed to get in a place like this isn't really about the capacity to think, but rather about the choice of what to think about. If your total freedom of choice regarding what to think about seems too obvious to waste time discussing, I'd ask you to think about fish and water, and to bracket for just a few minutes your skepticism about the value of the totally obvious.

Here's another didactic little story. There are these two guys sitting together in a bar in the remote Alaskan wilderness. One of the guys is religious, the other is an atheist, and the two are arguing about the existence of God with that special intensity that comes after about the fourth beer. And the atheist says: "Look, it's not like I don't have actual reasons for not believing in God. It's not like I haven't ever experimented with the whole God and prayer thing. Just last month I got caught away from the camp in that terrible blizzard, and I was totally lost and I couldn't see a thing, and it was fifty below, and so I tried it: I fell to my knees in the snow and cried out 'Oh, God, if there is a God, I'm lost in this blizzard, and I'm gonna die if you don't help me.'" And now, in the bar, the religious guy looks at the atheist all puzzled. "Well then you must believe now," he says, "After all, here you are, alive." The atheist just rolls his eyes. "No, man, all that was was a couple Eskimos happened to come wandering by and showed me the way back to camp."

It's easy to run this story through kind of a standard liberal arts analysis: the exact same experience can mean two totally different things to two different people, given those people's two different belief templates and two different ways of constructing meaning from experience. Because we prize tolerance and diversity of belief, nowhere in our liberal arts analysis do we want to claim that one guy's interpretation is true and the other guy's is false or bad. Which is fine, except we also never end up talking about just where these individual templates and beliefs come from. Meaning, where they come from INSIDE the two guys. As if a person's most basic orientation toward the world, and the meaning of his experience were somehow just hard-wired, like height or shoe-size; or automatically absorbed from the culture, like language. As if how we construct meaning were not actually a matter of personal, intentional choice. Plus, there's the whole matter of arrogance. The nonreligious guy is so totally certain in his dismissal of the possibility that the passing Eskimos had anything to do with his prayer for help. True, there are plenty of religious people who seem arrogant and certain of their own interpretations, too. They're probably even more repulsive than atheists, at least to most of us. But religious dogmatists' problem is exactly the same as the story's unbeliever: blind certainty, a close-mindedness that amounts to an imprisonment so total that the prisoner doesn't even know he's locked up.

The point here is that I think this is one part of what teaching me how to think is really supposed to mean. To be just a little less arrogant. To have just a little critical awareness about myself and my certainties. Because a huge percentage of the stuff that I tend to be automatically certain of is, it turns out, totally wrong and deluded. I have learned this the hard way, as I predict you graduates will, too.

Here is just one example of the total wrongness of something I tend to be automatically sure of: everything in my own immediate experience supports my deep belief that I am the absolute center of the universe; the realest, most vivid and important person in existence. We rarely think about this sort of natural, basic self-centeredness because it's so socially repulsive. But it's pretty much the same for all of us. It is our default setting, hard-wired into our boards at birth. Think about it: there is no experience you have had that you are not the absolute center of. The world as you experience it is there in front of YOU or behind YOU, to the left or right of YOU, on YOUR TV or YOUR monitor. And so on. Other people's thoughts and feelings have to be communicated to you somehow, but your own are so immediate, urgent, real.

Please don't worry that I'm getting ready to lecture you about compassion or other-directedness or all the so-called virtues. This is not a matter of virtue. It's a matter of my choosing to do the work of somehow altering or getting free of my natural, hard-wired default setting which is to be deeply and literally self-centered and to see and interpret everything through this lens of self. People who can adjust their natural default setting this way are often described as being "well-adjusted", which I suggest to you is not an accidental term.

Given the triumphant academic setting here, an obvious question is how much of this work of adjusting our default setting involves actual knowledge or intellect. This question gets very tricky. Probably the most dangerous thing about an academic education -- least in my own case -- is that it enables my tendency to over-intellectualize stuff, to get lost in abstract argument inside my head, instead of simply paying attention to what is going on right in front of me, paying attention to what is going on inside me.

As I'm sure you guys know by now, it is extremely difficult to stay alert and attentive, instead of getting hypnotized by the constant monologue inside your own head (may be happening right now). Twenty years after my own graduation, I have come gradually to understand that the liberal arts cliché about teaching you how to think is actually shorthand for a much deeper, more serious idea: learning how to think really means learning how to exercise some control over how and what you think. It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience. Because if you cannot exercise this kind of choice in adult life, you will be totally hosed. Think of the old cliché about quote the mind being an excellent servant but a terrible master.

This, like many clichés, so lame and unexciting on the surface, actually expresses a great and terrible truth. It is not the least bit coincidental that adults who commit suicide with firearms almost always shoot themselves in: the head. They shoot the terrible master. And the truth is that most of these suicides are actually dead long before they pull the trigger.

And I submit that this is what the real, no bullshit value of your liberal arts education is supposed to be about: how to keep from going through your comfortable, prosperous, respectable adult life dead, unconscious, a slave to your head and to your natural default setting of being uniquely, completely, imperially alone day in and day out. That may sound like hyperbole, or abstract nonsense. Let's get concrete. The plain fact is that you graduating seniors do not yet have any clue what "day in day out" really means. There happen to be whole, large parts of adult American life that nobody talks about in commencement speeches. One such part involves boredom, routine, and petty frustration. The parents and older folks here will know all too well what I'm talking about.

By way of example, let's say it's an average adult day, and you get up in the morning, go to your challenging, white-collar, college-graduate job, and you work hard for eight or ten hours, and at the end of the day you're tired and somewhat stressed and all you want is to go home and have a good supper and maybe unwind for an hour, and then hit the sack early because, of course, you have to get up the next day and do it all again. But then you remember there's no food at home. You haven't had time to shop this week because of your challenging job, and so now after work you have to get in your car and drive to the supermarket. It's the end of the work day and the traffic is apt to be: very bad. So getting to the store takes way longer than it should, and when you finally get there, the supermarket is very crowded, because of course it's the time of day when all the other people with jobs also try to squeeze in some grocery shopping. And the store is hideously lit and infused with soul-killing muzak or corporate pop and it's pretty much the last place you want to be but you can't just get in and quickly out; you have to wander all over the huge, over-lit store's confusing aisles to find the stuff you want and you have to maneuver your junky cart through all these other tired, hurried people with carts (et cetera, et cetera, cutting stuff out because this is a long ceremony) and eventually you get all your supper supplies, except now it turns out there aren't enough check-out lanes open even though it's the end-of-the-day rush. So the checkout line is incredibly long, which is stupid and infuriating. But you can't take your frustration out on the frantic lady working the register, who is overworked at a job whose daily tedium and meaninglessness surpasses the imagination of any of us here at a prestigious college.

But anyway, you finally get to the checkout line's front, and you pay for your food, and you get told to "Have a nice day" in a voice that is the absolute voice of death. Then you have to take your creepy, flimsy, plastic bags of groceries in your cart with the one crazy wheel that pulls maddeningly to the left, all the way out through the crowded, bumpy, littery parking lot, and then you have to drive all the way home through slow, heavy, SUV-intensive, rush-hour traffic, et cetera et cetera.

Everyone here has done this, of course. But it hasn't yet been part of you graduates' actual life routine, day after week after month after year.

But it will be. And many more dreary, annoying, seemingly meaningless routines besides. But that is not the point. The point is that petty, frustrating crap like this is exactly where the work of choosing is gonna come in. Because the traffic jams and crowded aisles and long checkout lines give me time to think, and if I don't make a conscious decision about how to think and what to pay attention to, I'm gonna be pissed and miserable every time I have to shop. Because my natural default setting is the certainty that situations like this are really all about me. About MY hungriness and MY fatigue and MY desire to just get home, and it's going to seem for all the world like everybody else is just in my way. And who are all these people in my way? And look at how repulsive most of them are, and how stupid and cow-like and dead-eyed and nonhuman they seem in the checkout line, or at how annoying and rude it is that people are talking loudly on cell phones in the middle of the line. And look at how deeply and personally unfair this is.

Or, of course, if I'm in a more socially conscious liberal arts form of my default setting, I can spend time in the end-of-the-day traffic being disgusted about all the huge, stupid, lane-blocking SUV's and Hummers and V-12 pickup trucks, burning their wasteful, selfish, forty-gallon tanks of gas, and I can dwell on the fact that the patriotic or religious bumper-stickers always seem to be on the biggest, most disgustingly selfish vehicles, driven by the ugliest [responding here to loud applause] (this is an example of how NOT to think, though) most disgustingly selfish vehicles, driven by the ugliest, most inconsiderate and aggressive drivers. And I can think about how our children's children will despise us for wasting all the future's fuel, and probably screwing up the climate, and how spoiled and stupid and selfish and disgusting we all are, and how modern consumer society just sucks, and so forth and so on.

You get the idea.

If I choose to think this way in a store and on the freeway, fine. Lots of us do. Except thinking this way tends to be so easy and automatic that it doesn't have to be a choice. It is my natural default setting. It's the automatic way that I experience the boring, frustrating, crowded parts of adult life when I'm operating on the automatic, unconscious belief that I am the center of the world, and that my immediate needs and feelings are what should determine the world's priorities.

The thing is that, of course, there are totally different ways to think about these kinds of situations. In this traffic, all these vehicles stopped and idling in my way, it's not impossible that some of these people in SUV's have been in horrible auto accidents in the past, and now find driving so terrifying that their therapist has all but ordered them to get a huge, heavy SUV so they can feel safe enough to drive. Or that the Hummer that just cut me off is maybe being driven by a father whose little child is hurt or sick in the seat next to him, and he's trying to get this kid to the hospital, and he's in a bigger, more legitimate hurry than I am: it is actually I who am in HIS way.

Or I can choose to force myself to consider the likelihood that everyone else in the supermarket's checkout line is just as bored and frustrated as I am, and that some of these people probably have harder, more tedious and painful lives than I do.

Again, please don't think that I'm giving you moral advice, or that I'm saying you are supposed to think this way, or that anyone expects you to just automatically do it. Because it's hard. It takes will and effort, and if you are like me, some days you won't be able to do it, or you just flat out won't want to.

But most days, if you're aware enough to give yourself a choice, you can choose to look differently at this fat, dead-eyed, over-made-up lady who just screamed at her kid in the checkout line. Maybe she's not usually like this. Maybe she's been up three straight nights holding the hand of a husband who is dying of bone cancer. Or maybe this very lady is the low-wage clerk at the motor vehicle department, who just yesterday helped your spouse resolve a horrific, infuriating, red-tape problem through some small act of bureaucratic kindness. Of course, none of this is likely, but it's also not impossible. It just depends what you what to consider. If you're automatically sure that you know what reality is, and you are operating on your default setting, then you, like me, probably won't consider possibilities that aren't annoying and miserable. But if you really learn how to pay attention, then you will know there are other options. It will actually be within your power to experience a crowded, hot, slow, consumer-hell type situation as not only meaningful, but sacred, on fire with the same force that made the stars: love, fellowship, the mystical oneness of all things deep down.Not that that mystical stuff is necessarily true.

The only thing that's capital-T True is that you get to decide how you're gonna try to see it.

This, I submit, is the freedom of a real education, of learning how to be well-adjusted. You get to consciously decide what has meaning and what doesn't. You get to decide what to worship.

Because here's something else that's weird but true: in the day-to day trenches of adult life, there is actually no such thing as atheism. There is no such thing as not worshipping. Everybody worships. The only choice we get is what to worship. And the compelling reason for maybe choosing some sort of god or spiritual-type thing to worship -- be it JC or Allah, bet it YHWH or the Wiccan Mother Goddess, or the Four Noble Truths, or some inviolable set of ethical principles -- is that pretty much anything else you worship will eat you alive. If you worship money and things, if they are where you tap real meaning in life, then you will never have enough, never feel you have enough. It's the truth. Worship your body and beauty and sexual allure and you will always feel ugly. And when time and age start showing, you will die a million deaths before they finally grieve you. On one level, we all know this stuff already. It's been codified as myths, proverbs, clichés, epigrams, parables; the skeleton of every great story. The whole trick is keeping the truth up front in daily consciousness.

Worship power, you will end up feeling weak and afraid, and you will need ever more power over others to numb you to your own fear. Worship your intellect, being seen as smart, you will end up feeling stupid, a fraud, always on the verge of being found out. But the insidious thing about these forms of worship is not that they're evil or sinful, it's that they're unconscious.They are default settings.

They're the kind of worship you just gradually slip into, day after day, getting more and more selective about what you see and how you measure value without ever being fully aware that that's what you're doing.

And the so-called real world will not discourage you from operating on your default settings, because the so-called real world of men and money and power hums merrily along in a pool of fear and anger and frustration and craving and worship of self. Our own present culture has harnessed these forces in ways that have yielded extraordinary wealth and comfort and personal freedom. The freedom all to be lords of our tiny skull-sized kingdoms, alone at the center of all creation. This kind of freedom has much to recommend it. But of course there are all different kinds of freedom, and the kind that is most precious you will not hear much talk about much in the great outside world of wanting and achieving and [unintelligible -- sounds like "displayal"]. The really important kind of freedom involves attention and awareness and discipline, and being able truly to care about other people and to sacrifice for them over and over in myriad petty, unsexy ways every day.

That is real freedom. That is being educated, and understanding how to think. The alternative is unconsciousness, the default setting, the rat race, the constant gnawing sense of having had, and lost, some infinite thing.

I know that this stuff probably doesn't sound fun and breezy or grandly inspirational the way a commencement speech is supposed to sound. What it is, as far as I can see, is the capital-T Truth, with a whole lot of rhetorical niceties stripped away. You are, of course, free to think of it whatever you wish. But please don't just dismiss it as just some finger-wagging Dr. Laura sermon. None of this stuff is really about morality or religion or dogma or big fancy questions of life after death.

The capital-T Truth is about life BEFORE death.

It is about the real value of a real education, which has almost nothing to do with knowledge, and everything to do with simple awareness; awareness of what is so real and essential, so hidden in plain sight all around us, all the time, that we have to keep reminding ourselves over and over:

"This is water."

"This is water."

It is unimaginably hard to do this, to stay conscious and alive in the adult world day in and day out. Which means yet another grand cliché turns out to be true: your education really IS the job of a lifetime. And it commences: now.

I wish you way more than luck."

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* Gostei especialmente desse título de livro do David Foster Wallace: "Ri Stan: Eu Vendi Sissee Nar para Ecko."

Saturday 9 May 2009

The ant is busy

O sertão virando mar no good news Imagem publicada originalmente no Globonline
do tornado em São Conrado, em algum dia de abril de 2009

Full Moon
by Juan Ramon Jimenez (1881 - 1958)
English version byRobert Bly

The door is open,
the cricket is singing.
Are you going around naked
in the fields?

Like an immortal water,
going in and out of everything.
Are you going around naked
in the air?

The basil is not asleep,
the ant is busy.
Are you going around naked
in the house?

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Homenagem à linda lua que ontem se empinou no céu, estufada de si mesma sobre o mar impotente de escuridão; aos poemas que são lindos e aos meus mixed feelings, que a formiga anda ocupada e nua, por aí.
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Conversando com uma amiga, ela bem me lembrou que:
um verme passeia
na lua cheia
um verme passeia na lua cheia um verme passeia na lua cheia um verme passeia na l-u-a c-h-e-i-a
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E que a lua cheia de maio chama-se Wesak, ou Lua de Buda, a saber:
A palavra Wesak origina-se no Sânscrito e quer dizer maio. Na realidade (maio ou wesak) em sua Lua Cheia é comemorado com um festival mundial, onde pessoas de todas as partes do planeta celebram a Vitória de Gautama, o Buda.É uma festividade dos povos budistas de todo o planeta.
Dá-se na lua cheia do mês de Touro. Nesse momento em que a Terra passa pelo signo de Touro é que a humanidade recebe um eflúvio de forças divinas do Buda Cósmico, como uma espécie de incentivo e choque espiritual para nosso Despertar Superior.
A liberação de poderosas energias podem afetar poderosamente a humanidade e que, se liberadas, estimularão o espírito de amor, de fraternidade e de boa vontade na Terra. Essas energias são tão definidas e reais como são as de que se ocupa a própria ciência que as chama de raios cósmicos.

Thursday 7 May 2009

Diga: Eu sou Tu

Rumi - Diga: Eu sou Tu (poema sufi)

Sou as partículas de pó à luz do sol,

sou o círculo polar.

Ao pó digo: - Não te movas.

E ao sol: - Segue girando.

Sou a névoa da manhã e a brisa da tarde.

Sou o vento na copa das árvores e as ondas contra o penhasco.

Sou o mastro, o leme, o timoneiro e a quilha

e o recife de coral em que naufragam as embarcações.

Sou a árvore em cujo galho tagarela o papagaio,

sou silêncio e pensamento, e também todas as vozes.

Sou o ar pleno que faz surgir a música da flauta,

a centelha da pedra, o brilho do metal.

Sou a vela acesa e a mariposa girando louca ao seu redor.

Sou a rosa e o rouxinol perdido em sua fragrância.

Sou todas as ordens de seres, a galáxia girante,

A inteligência imutável, O ímpeto e a deserção.

Sou o que é e o que não é.

Tu, que conheces Jelaluddin.

Tu, o Um em tudo, diz quem sou.

Diga: Eu sou Tu.

http://www.woolger.com.br/textos_poemas.htm

http://www.youtube.com/watch?v=QqVBGv2hpQ4

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As rodas giram suaves e aos relógios coube pontuar, inconsequentes, o que nos assemelha e escapa; o que nos guia e nos desnorteia: 23:59 e depois 00:02. E depois e depois é agora! Hoje é dia 08 de maio de 2009, salve ele, ainda tenro e cálido; os relógios me permitiram, como se assim o fosse, dizer com alegria e propriedade, parabéns, querida amiga de quase toda uma vida sem relógios, e de tantas outras. "Sou a rosa e o rouxinol perdido em sua fragrância.". Que assim perdure este dia.

Ah, esses relógios! Não sei porque o blogger registrou outro dia e outra hora. Ainda bem que não são esses os que usamos. A exceção não confirma a regra e o post não me desmente. Salve dia 08 de maio de 2009!

Wednesday 6 May 2009

Eu vou te dar alegria

That´s what friends are for

Alegria
Arnaldo Antunes

Eu vou te dar alegria

Eu vou parar de chorar

Eu vou raiar um novo dia

Eu vou sair do fundo do mar

Eu vou sair da beira do abismo

E dançar e cantar e dançar

A tristeza é uma forma de egoísmo

Eu vou te dar, eu vou te dar, eu vou...

Eu vou te dar alegria

Eu vou parar de chorar

Eu vou raiar um novo dia

Eu vou sair do fundo do mar

Vou sair da beira do abismo

E dançar e cantar e dançar

A tristeza é uma forma de egoísmo

Eu vou te dar, eu vou te dar, eu vou...

Hoje tem goiabada

Hoje tem marmelada

Hoje tem palhaçada

O circo chegou

Hoje tem batucada

Hoje tem gargalhada

Riso, risada de meu amor.

Vídeo: Chaney & Tiger playing 2003,10,16

Monday 4 May 2009

Boizinhos sem nome

Sei que não vou por aí! ...Mas o que sei mesmo?Foto da ressaca de... 24/04/2008. A fonte como vocês podem ver pelos frames é o Globoline (que não tem mais esse nome, acho, mas a essas alturas, hum, o que tem nome que não tá mudando? Até os bois desistiram do mote (=dar nome aos bois). Já não digo Salve Jorge e ando preferindo pedir a bênção a Lorde Metraton). As ressacas, essas, continuam obedecendo a ciclos (vide as ondas pancadonas em Copacabana hoje; nem os surfistas se aventuraram; não pelo menos com o sol a pino). Hoje tô num mood (bonzinho, bonitinho até) de saber-que-tudo-é-cíclico-mas-ai-meu-pai-sei-lá-que-bicho-vai-dar. Colo aqui embaixo dois poeminhas sem direito a trilha sonora que me repercutem um pouco, mas nem tanto, simplesmente não sei bem o que será que me dá.

1
Ah, que ninguém me dê piedosas intenções,
Ninguém me peça definições!
Ninguém me diga: "vem por aqui"!
A minha vida é um vendaval que se soltou,
É uma onda que se alevantou,
É um átomo a mais que se animou...
Não sei por onde vou,
Não sei para onde vou
Sei que não vou por aí!

José Régio (em Cântico Negro)
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2
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth.

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same.

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I--
I took the one less traveled by,
And that has made all the difference.

Robert Frost (The road not taken)

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3
Ih, tô com um nó aqui
Dá pra ver?

Saturday 2 May 2009

A primeira Coca-cola foi, me lembro bem agora, nas asas da Panair

RC dando uma sobrevoada de helicóptero pelo Rio de Janeiro usando um macacão amarelo (!) em 1967. A sequência de 6 minutos faz parte do filme "Roberto Carlos em ritmo de aventura", de Roberto Faria. Gostei!

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An amazing low level helicopter trip in Rio de Janeiro in 1967. This video is part of the film "Roberto Carlos em ritmo de aventura" directed by Roberto Farias. Enjoy.

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Vídeo no You Tube

More Rio by Air (2009)

Mais de O Rio Visto do Céu (2009)